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  1. 14 de may. de 2024 · Katharina Wagner will remain Artistic Director of the Bayreuth Festival for another five years! Minister of State Blume, Minister of State Roth and Prof Katharina Wagner have agreed on the further structural development of… Read more. 22nd April 2024. On the death of Sir Andrew Davis!

    • Programme

      This tradition goes back to Richard Wagner’s time. The...

    • Contributors

      The Bayreuth Festival. With the start of the rehearsal...

    • Festival

      The Bayreuth Festival: also a family history. To this day,...

  2. El Festival de Bayreuth (en alemán: Bayreuther Festspiele) es un festival de música clásica, que se celebra cada año desde 1876 en Bayreuth, Alemania . Está dedicado a la representación de óperas de la autoría del compositor alemán del siglo XIX Richard Wagner.

  3. El Festspielhaus de Bayreuth o Bayreuther Festspielhaus (lit. Teatro del Festival de Bayreuth) es un teatro de ópera de Bayreuth, en Baviera, Alemania, que se dedica exclusivamente a la representación de las óperas compuestas por Richard Wagner.

  4. 1876; 148 years ago. ( 1876) Website. www .bayreuther-festspiele .de. Bayreuth Festspielhaus in 1882. The Bayreuth Festival (German: Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of stage works by the 19th-century German composer Richard Wagner are presented.

  5. The Bayreuth Festspielhaus or Bayreuth Festival Theatre (German: Bayreuther Festspielhaus, pronounced [baɪˈʁɔʏtɐ ˈfɛstʃpiːlˌhaʊs]) is an opera house north of Bayreuth, Germany, built by the 19th-century German composer Richard Wagner and dedicated solely to the performance of his stage works.

  6. The Richard Wagner Museum and the National Archives are operated by the foundation known as the Richard-Wagner-Stiftung Bayreuth. The permanent exhibition records in three parts the life and work of Richard Wagner, the history of the Bayreuth Festival and the historical impact of his work.

  7. Richard Wagner, who was born in Leipzig in 1813, collected his first theatre experiences in Magdeburg, Koenigsberg and Riga, where he was the first Kapellmeister from 1837 to 1839. The theatrical building there, called disparagingly “barn” by some musicians, impressed him with its simplicity.