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The marriage of Isabel Clara Eugenia (1566–1633) to Albert of Austria and her designation as sovereign princess of the Low Countries marked a turning point in the depiction of her public image. Her change of social status from single to married woman and her assumption of political responsibilities brought with them a new model of portrait.
2 de jul. de 2015 · In 1628, Infanta Isabel Clara Eugenia (1566–1633), archduchess of Austria and governess general of the Spanish Netherlands, sent the first shipment of tapestries of Peter Paul Rubens’s The Triumph of the Eucharist series to the Royal Convent of the Discalced Clares in Madrid. 1 She had commissioned the cycle three years prior, and, appropriately for a convent that was home to the ...
18 de oct. de 2020 · Juan Carlos Losada. Historia y Vida. El rey Felipe II convirtió a Isabel Clara Eugenia, su hija predilecta, en soberana de Flandes. Fue una hábil jugada política que por desgracia iba a frustrarse.
Las dos hijas del rey Felipe II, Isabel Clara Eugenia (1566-1633) y Catalina Micaela (1567-1597), fueron retratadas desde muy niñas por Alonso Sánchez Coello, uno de sus pintores de corte, en un tipo de efigie cuyas características coinciden con las del retrato cortesano.
Isabel Clara Eugenia (1566-1633), King Philip II’s mostbeloved daughter, boasts fine robes and an “upper-crust” and highly-fashionable coiffure. She is standing, with just over half her body visible, her gloved left hand on the back of a chair, holding a miniature of her by-then elderly father in her right hand.
Alberto de Austria y su esposa Isabel de España, soberanos de los Países Bajos retratados por Otto van Veen, 1615 En el año de 1609 firmó la Tregua de los Doce Años con Mauricio de Nassau . Al fallecer en el año de 1621 sin descendencia, los Países Bajos revirtieron a la Corona Española, quedando su mujer, Isabel Clara Eugenia, como gobernadora en nombre de su sobrino, el rey Felipe IV ...
Infanta Isabel Clara Eugenia. 1577. Oil on canvas. Room 055. The Infanta (1566–1633), daughter of Philip II, is depicted distant in air and elegant in gesture, standing in three-quarter length, in accordance with a typology widespread among court portraitists of the time. She wears a white and gold dress, pointed collar and cuffs, feathered ...
