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Mary Robinson, nee Darby (1757-1800) was an English poet and novelist. During her lifetime she was known as 'the English Sappho'. She was also known for her role as Perdita (heroine of Shakespeare's The Winter's Tale) in 1779 and as the first public mistress of George IV.
Mary Robinson has 204 books on Goodreads with 1707 ratings. Mary Robinson’s most popular book is A Letter to the Women of England and The Natural Daughter.
2 de ene. de 2003 · Mary Robinson’s A Letter to the Women of England (1799) is a radical response to the rampant anti-feminist sentiment of the late 1790s. In this work, Robinson encourages her female contemporaries to throw off the “glittering shackles” of custom and to claim their rightful places as the social and intellectual equals of men.
Mary, Robinson. "A LETTER TO THE WOMEN OF ENGLAND ON THE INJUSTICE OF MENTAL SUBORDINATION". Poems for the Millennium, Volume Three: The University of California Book of Romantic & Postromantic Poetry, edited by Jerome Rothenberg and Jeffrey C. Robinson, Berkeley: University of California Press, 2008, pp. 72-75.
Mary Robinson's A Letter to the Women of England (1799) is a radical response to the rampant anti-feminist sentiment of the late 1790s. In this work, Robinson encourages her female contemporaries to throw off the "glittering shackles" of custom and to claim their rightful places as the social and intellectual equals of men.
8 de ene. de 2018 · ABSTRACT This paper presents a critical analysis of a text from Mary Darby Robinson’s longest oeuvre, A Letter to the Women of England (A Letter), published in London, England in 1799. A Letter illustrates how an English feminist writer and a follower of Mary Wollstonecraft cleverly managed the paradoxes accompanying the emerging discourses of equality during the revolutionary years, which ...
20 de dic. de 2006 · While Mary Robinson's A Letter to the Women of England (1799) has been interpreted primarily as a feminist tract, this article reads it as a defense of the “he-she philosopher” and argues for it as a critical intervention in the construction of literary history.
