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Born and educated to a Jewish family in New York City, Hammerstein was the son of the theater impresario and composer Oscar Hammerstein I. Arthur started out as a bricklayer and plasterer, [1] working on projects with his father including the Victoria Theater and Manhattan Opera House . In 1908 Hammerstein started working on becoming a producer ...
Oscar Hammerstein II. Writer: State Fair. Oscar Hammerstein II was an American lyricist, librettist, theatrical producer, and musical theatre director from New York City. He won a total of 8 Tony Awards for his best known works, "South Pacific" (1949), "The King and I" (1951), and "The Sound of Music" (1959). He twice won the Academy Award for Best Original Song, for his songs "The Last Time I ...
Source for information on Hammerstein, Dorothy (1899–1987): Dictionary of Women Worldwide: 25,000 Women Through the Ages dictionary. Hammerstein, Dorothy (1899–1987) | Encyclopedia.com Skip to main content
Dorothy Dalton (September 22, 1893 – April 13, 1972) was an American silent film actress and stage personality who worked her way from a stock company to a movie career. Beginning in 1910, Dalton was a player in stock companies in Chicago; Terre Haute, Indiana; and Holyoke, Massachusetts. She joined the Keith-Albee-Orpheum Corporation ...
Say It with Jazz (Amateur) | June 1, 1921 | Book by Dorothy Crowthers, Frank Hunter & Maurice Lieberman | Music by Richard Rodgers | Lyrics by Lorenz Hart & others, including Oscar Hammerstein II. Pop (Atlantic City) | November 8, 1921 | Book by Frank Mandel & Oscar Hammerstein II. The Chinese Lantern (Amateur) | May 7, 1922 | Book by Laurence ...
Oscar Clendenning Hammerstein II (1895-1960) was perhaps the most influential lyricist and librettist of the American theater. ... Myra Finn, and married Dorothy Blanchard Jacobson.
Introduction. Oscar Hammerstein II is, I believe, the most consequential figure in the history of the American musical. His career spanned from 1920 to 1960, and in those forty years he so transformed our understanding of what musicals could be that any post-Hammerstein musical owes him a direct debt. Having spent the last two-and-a-half years ...
