Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 23 de ene. de 2009 · Gründgens, Mann, and Mephisto - Volume 15 Issue 2. 4. ‘Gustaf-Gründgens-Dokumentation’, a large documentary exhibit prepared by the Dumont-Lindemann Archive of Düsseldorf on the occasion of Gründgens' eightieth birthday, was circulated in cities throughout West Germany during the early 1980s.

  2. Gustav Heinrich Arnold Gründgens, od roku 1921 jen Gustaf Gründgens. Své jméno nese po matce Emmi, otcem byl Arnold Hubert. Roku 1917 přerušil středoškolská studia. Po krátké anabázi, jako učňovský prodavač, byl povolán roku 1917 do armády a přidělen k frontovému divadlu v Saarlouisenu. Po válce studoval herectví u Louise ...

  3. Gustaf Gründgens (22 December 1899 – 7 October 1963), born Gustav Heinrich Arnold Gründgens, was one of Germany's most famous and influential actors of the 20th century, and artistic director of theatres in Berlin, Düsseldorf, and Hamburg. His career continued unimpeded through the years of the Nazi regime; the extent to which this can be considered as deliberate collaboration with the ...

  4. Gustaf Gründgens, the son of a prosperous businessman, was born in Düsseldorf on 22nd December 1899. He served in the German Army during the First World War. After demobilization Gründgens attended acting school. According to Stefan Steinberg: "As a young man Gründgens was determined to make a name for himself.

  5. He was born 22 December 1899 in Düsseldorf, Germany, as Gustav Heinrich Arnold Gründgens (he took his artist name Gustaf in 1924) and died 7 October 1963 during a world trip in Manila, The Philippines by an overdose of sleeping pills. He was married to Erika Mann from 1926 to 1929 (divorced), and to Marianne Hoppe from 1936 to 1946 (divorced).

  6. German actor, director, intendant (1899-1963) Gustaf Gründgens Q61260)

  7. 24 de dic. de 2023 · Goertz implies that Gustaf Gründgens gave up the unconventional artistic nature of a bohemian in the course of the changed power relations in Germany in the 1930s and instead practiced his artistic ideals in a much more disciplined – “Prussian” – way. In addition to his work for the theater, which undoubtedly makes up a large part of ...