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  1. Margaret Booth (* 16.Januar 1898 in Los Angeles, Kalifornien, USA; † 28. Oktober 2002 ebenda) war eine US-amerikanische Filmeditorin.. Leben. Booths Karriere beim Film begann 1915, kurz nachdem sie die Highschool abgeschlossen hatte und sie von D. W. Griffith als Schnittassistentin für Zwei Waisen im Sturm (Orphans of the Storm) engagiert wurde.

  2. Keep up to date on all things Margaret Booth at Fandango today. Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites.

  3. Margaret Booth. Highest Rated: 96% Mutiny on the Bounty (1935) Lowest Rated: 80% Dancing Lady (1933) Birthday: Jan 16, 1898. Birthplace: Los Angeles, California, USA. Hailed by Kevin Brownlow in ...

  4. Monteuse (activité principale) Productrice (six films) Films notables. La Veuve joyeuse ( 1925) Le Roman de Marguerite Gautier ( 1936) La Charge victorieuse ( 1951) Nos plus belles années ( 1973) modifier. Margaret Booth est une monteuse et productrice américaine, née le 16 janvier 1898 à Los Angeles, où elle est morte le 28 octobre 2002 .

  5. 28 de oct. de 2002 · Margaret Booth began work as a negative cutter for D. W. Griffith in 1915. After Griffith closed down his Los Angeles offices, she worked briefly at Paramount before joining Louis B. Mayer’s studio in 1919. There she began to work closely with John Stahl, who tutored her in the art of film cutting. When Mayer merged with Metro-Goldwyn, Booth ...

  6. Margaret Booth Jump to Academy Awards, USA (2) American Cinema Editors, USA (1) Women in Film Crystal Awards (1) Online Film & Television Association (1) 4 wins & 1 nomination

  7. 9 de abr. de 2020 · Booth was born in Los Angeles, California, in January 1898 and died in 2002 at the age of 104. Malone explains in her book, Margaret’s career in Hollywood spanned seven decades. She was there at the birth of editing itself, when the process involved cutting film with scissors. She worked during the transition of silent film to sound, from ...