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16 de oct. de 2021 · Marie-Antoinette (-Josèphe-Jeanne d’Autriche-Lorraine), (born Nov. 2, 1755, Vienna—died Oct. 16, 1793, Paris, France), Queen consort of Louis XVI of France.
19 de abr. de 2016 · In September 1785, when Marie Antoinette’s popularity with the French people was on a dangerous downward slide, Élisabeth Louise Vigée Le Brun was summoned to Versailles. The brilliant young painter had already been commissioned to paint several portraits of the queen, posing her alone in various elegant gowns. Now, however, she was asked to create something different: something that would ...
Histoire de Marie-Antoinette-Josephe-Jeanne de Lorraine, archiduchesse d'Autriche, reine de France: Author: Galart de Montjoie: Publisher: H.L. Perroneau, 1797: Original from: Lyon Public Library (Bibliothèque jésuite des Fontaines) Digitized: Jul 4, 2012: Length: 535 pages : Export Citation: BiBTeX EndNote RefMan
11 de mar. de 2023 · Dans la famille de Marie-Antoinette, je voudrais… les parents. Marie-Antoinette est la fille de Marie-Thérèse de Habsbourg et de François Ier de Lorraine. Très éprise de son mari, l’impératrice d’Autriche ne se remettra jamais vraiment du décès de celui-ci en 1765. Elle portera d’ailleurs ses habits de deuil toute sa vie.
29 de jul. de 2024 · In more than one sense, Marie-Antoinette was a victim of circumstance. In her youth, she was a pawn on the diplomatic chessboard of Europe, as France and Austria attempted to navigate the complex web of allegiances that shaped the continent in the wake of the Seven Years’ War.
Original Title: Marie-Antoinette de Lorraine-Habsbourg, reine de France, et ses enfants Additional Viewing Notes: Confronted with the scandal provoked by the “Necklace” affair which was made public in July 1785, Queen Marie-Antoinette commissioned from her official portraitist, Elisabeth Vigée-Lebrun, a large painting depicting her surrounded by her children.
Personas retratadas: Marie-Antoinette, Marie-Thérèse, Louis-Charles y Louis-Joseph. Dans ce tableau de propagande exposé au Salon de 1787 au Louvre, Vigée-Lebrun prend comme modèle la Madonna della Gatta de Giulio Romano et commence la toile le 9 juillet 1786.
