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Summary of Andrea Mantegna. Andrea Mantegna's productive years, 1448-1506, bridged the Early and High Renaissance periods, and the spirit of his work exemplifies the vexed contrasts between humanism and martial aggression, between piety and the profit motive, which characterized the era. In particular, few bodies of work sum up the simultaneous ...
Andrea Mantegna was a painter and engraver, the first fully Renaissance artist of northern Italy. His best known surviving work is the Camera degli Sposi (“Room of the Bride and Groom”), or Camera Picta (“Painted Room”) (1474), in the Palazzo Ducale of Mantua, for which he developed a
Andrea Mantegna (okoli 1431 – 13. september 1506) je italijanski slikar, študent rimske arheologije in zet Jacopa Bellinija.Podobno kot drugi umetniki tistega časa je tudi Mantegna eksperimentiral s perspektivo, na primer, z znižanjem obzorja, da bi ustvarili občutek večje monumentalnosti.
Andrea Mantegna, uno de los más grandes pintores del Quattrocento italiano, vino al mundo en 1431 en una pequeña localidad del Véneto entre Vicenza y Padua. De orígenes humildes, muy pronto quedaría huérfano, siendo criado por su hermano mayor y por Francesco Squarcione, pintor y coleccionista paduano a cuyo taller se incorporaría Andrea ...
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a ...
Andrea Mantegna, uno de los más grandes pintores del Quattrocento italiano, vino al mundo en 1431 en una pequeña localidad del Véneto entre Vicenza y Padua. De orígenes humildes, muy pronto quedaría huérfano, siendo criado por su hermano mayor y por Francesco Squarcione, pintor y coleccionista paduano a cuyo taller se incorporaría Andrea ...
Suzanne Boorsch in Andrea Mantegna. Exh. cat., Royal Academy of Arts, London. New York, 1992, p. 239, under no. 57 [British ed., London, 1992], suggests that a drawing of two peasants reproduced in an engraving by an artist known as the Premier Engraver might be a study for the MMA painting or a similar work. David Ekserdjian in Andrea Mantegna.
