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5 de ene. de 2008 · Theodora Roosevelt Keogh O'Toole Rauchfuss was an American novelist writing under her first married name, Theodora Keogh, in the 1950s and 1960s. She was a member of the Roosevelt family, born in New York City. She worked as a professional dancer in Canada and South America, but retired from this career in 1945.
Theodora Keogh was a very fascinating person, married to a fine illustrator, Tom Keogh who flourished in the 1940's and 1950's. MEG is a bizarre short novel about an underage rich girl who explores the New York world of crime and poverty. She was unique, before the girl in TAXI, and is still a character unlike most adolescents.
- Theodora KEOGH
Theodora Keogh was a very fascinating person, married to a fine illustrator, Tom Keogh who flourished in the 1940's and 1950's. MEG is a bizarre short novel about an underage rich girl who explores the New York world of crime and poverty. She was unique, before the girl in TAXI, and is still a character unlike most adolescents.
- Theodora Keogh
13 de abr. de 2014 · A few years ago I wrote a piece for The Rap Sheet on Theodora Keogh's novel The Other Girl (1962) for their Book You Have to Read series, otherwise known as Forgotten Books. I only discovered Theodora Keogh and her writing after reading her obituary in the Telegraph. She had a remarkable life and career…
Even the most avid readers of women writers are unlikely to know the names Dorothy Baker and Theodora Keogh. Though both of these American authors produced highly original, skilled, and potentially significant novels during their mid-twentieth century careers, they have been mostly forgotten for two primary reasons: first, they are women authors who specialized in works that defied generic ...
Theodora Roosevelt Keogh O'Toole Rauchfuss was an American novelist writing under her first married name, Theodora Keogh, in the 1950s and 1960s.
13 de nov. de 2009 · Theodora (Roosevelt) Keogh, the mysterious novelist, ballet dancer, wildcat owner, chicken farmer, and president’s granddaughter whose fiction inspires comparisons to Colette, was living in Paris with her first husband, artist Tom Keogh, when The Paris Review started up in the early fifties. As I mentioned in The Week this summer, Tom’s drawing of Keogh (at right) appeared in the first . . .
