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  1. OCLC. 318274261. Light spectrum, from Theory of ColoursGoethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.

  2. 13 de ago. de 2019 · Aunque las reflexiones del poeta, artista y político alemán Johann Wolfgang von Goethe fueron rechazadas por la mayoría de la comunidad científica, muchas de las más brillantes mentes de la comunidad artística se han interesado apasionadamente en ellas desde la publicación de su libro "Teoría del color" (Zur Farbenlehr, 1810).

  3. Johann Wolfgang von Goethe. Goethe legt ein kreisförmiges Diagramm vor, in dem sich die drei Primärfarben Rot Blau Gelb mit den drei Sekundärfarben Orange Violett Grün abwechseln. Rot nimmt die höchste und Grün die niedrigste Stelle im Kreis ein.

  4. 29 de nov. de 2015 · Goethe, Johann Wolfgang von, 1749-1832: Translator: Eastlake, Charles Lock, Sir, 1793-1865: Uniform Title: Zur Farbenlehre. English Title: Goethe's Theory of Colours Note: Translation of: Zur Farbenlehre Credits: Produced by Annemie Arnst, Clare Graham & Marc D'Hooghe (Images generously made available by the Internet Archive.) Language: English ...

  5. 14 de dic. de 2009 · Johann Wolfgang von Goethe. Publisher J. Murray, 1840 Collection europeanlibraries Book from the collections of Oxford University Language English. Book ...

  6. Other articles where Goethe’s Color Theory is discussed: Johann Wolfgang von Goethe: Napoleonic period (1805–16) of Johann Wolfgang von Goethe: Goethe’s Color Theory), and in 1806 Goethe sent to him the completed manuscript of part one of Faust. War, however, delayed publication of Faust until 1808. On October 14, 1806, Napoleon routed the Prussian armies at the Battle of Jena. Weimar ...

  7. Johann Wolfgang von Goethe (1749-1832) was the greatest poet, playwright, novelist and essayist in the German language – comparable to Shakespeare and Dante. Until Johann Wolfgang von Goethe came along, no one had questioned the validity of Newton’s ideas about light and color.

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