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Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the Academy of the Desiderosi (desirous of fame and learning) and subsequently the Incamminati (progressives; literally "of those opening a new way").
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style.Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism.
Sin embargo, la personalidad de Annibale Carracci le llevó a evolucionar hacia un clasicismo muy personal, que no desdeñaba ciertos logros caravaggiescos. Un ejemplo de su pintura religiosa, que goza de justa fama junto a sus frescos, es este lamento por la muerte de Cristo. Presenta ciertas innovaciones respecto a la manera habitual de ...
Man with Monkey Annibale Carracci • 1590-1591 St. Magdalene in the Desert Annibale Carracci • 1591 The Virgin Appears to St. Luke and Catherine Annibale Carracci • 1592
Resurrección (Annibale Carracci) Resurrección es un óleo sobre lienzo de 1593 de Annibale Carracci, actualmente en el Louvre de París, 1 cuyo Cabinet des Dessins también alberga un estudio preparatorio de la obra. 2 También se conoce como la Resurrección de Angelelli por la familia boloñesa que la poseyó durante mucho tiempo.
Annibale Carracci (born November 3, 1560, Bologna, Papal States [Italy]—died July 15, 1609, Rome) was an Italian painter who was influential in recovering the classicizing tradition of the High Renaissance from the affectations of Mannerism. He was the most talented of the three painters of the Carracci family.
