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There was before Breathless, and there was after Breathless. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du cinéma. With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, Breathless helped ...
Außer Atem (Originaltitel: À bout de souffle) ist ein französischer Gangsterfilm aus dem Jahr 1960. Der erste Langfilm von Jean-Luc Godard, der als Klassiker des französischen Kinos und der Nouvelle Vague gilt, entstand nach einem von Godard umgeschriebenen Drehbuch von François Truffaut, das auf einem Zeitungsbericht über einen Polizistenmord basierte.
La bande annonce du film À bout de souffle
- 2 min
- 36.9K
- imineo Bandes Annonces
Petty thug Michel (Jean-Paul Belmondo) considers himself a suave bad guy in the manner of Humphrey Bogart, but panics and impulsively kills a policeman while driving a stolen car. On the lam, he ...
- (81)
- Crime, Drama
En 1960, Jean-Luc Godard tourne son premier long-métrage, À bout de souffle, qui s’imposera comme le manifeste esthétique et film iconique de la Nouvelle Vag...
- 1 min
- 13.7K
- Cine Graphe
11 de jun. de 2019 · Certainly, À bout de souffle could be seen as investigating this freedom problematic. But there is another concept that recurs in Godard’s script and that is the idea of ‘sadness’, and the two seem to be linked: ‘I don’t know if I’m unhappy because I’m not free, or if because I’m not free I’m unhappy,’ says Patricia.
À bout de souffle abounds with quotations of movies by directors such as Samuel Fuller, Joseph H. Lewis, Otto Preminger and any number of classic film noirs. There are also quotations and references to writers such as Faulkner, Dylan Thomas, and Louis Aragon, as well as painters like Picasso, Renoir and Klee.
