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Of course, both “signify” and “event” are important words for Lyotard. Discourse, Figure’s goal is to “signify the other of signiication” (2011, 13, emphasis his). he question of the representability of events that concerns Lyotard throughout his career originates in Discourse, Figure. I use these two words to guide my review.
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dimension that Discourse, Figure seems to occupy: the subject can come to understand/feel her dreams and/or desires as operational possibilities rather than as manifestations of a transcendent spirit external to her or as mere escapist fantasy. One could say that the mechanics of Libidinal Economy were worked out in Discourse, Figure.
Postmodernism as a `Regime of Signification'. View all access and purchase options for this article. 1. 1. I am grateful to Celia Lury, Nick Abercrombie, Norman Fairclough, Doug Kellner, John Urry, Brian Longhurst and Mark Poster for comments on previous drafts of this paper. 2.
Discourse, Figure, trans. Antony Hudek and Mary Lydon, University of Minnesota Press, 2011, Log, ARG. (English) Dérive à partir de Marx et Freud, Paris: 10/18, 1973 ...
25 de mar. de 2024 · Usually a <figure> is an image, illustration, diagram, code snippet, etc., that is referenced in the main flow of a document, but that can be moved to another part of the document or to an appendix without affecting the main flow. A caption can be associated with the <figure> element by inserting a <figcaption> inside it (as the first or the ...
IVApplications and Extensions. 11Discourse, Figure, Suture: Lyotard and Cinematic Space. 12On Dialogue as Performative Art Criticism. 13Give Me a Sign: An Anxious Exploration of Performance on Film, Under Lyotard's Shadow. 14How Desire Works: A Lyotardian Lynch. 15Aberrant Movement and Somatography in the Hysterical Comedies of Roméo Bosetti.
