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  1. A partir de 1916, varios pintores importantes se unieron en torno al suprematismo, incluidos Olga Rozanova, Ivan Klioun, Liubov Popova, Alexandra Exter, Nadejda Oudal-stova e Ivan Pougny. Después de la Revolución rusa , Malevich enseñó sus propias teorías en los estudios Unovis en Vitebsk.

  2. Exhibition of documents and works by Olga Rozanova, Tretyakov Gallery, May 2007 1911–1918 She participated in 15 major exhibitions (including the ones listed). 1916 “The Jack of Diamonds” 1915–1916 “The Last Futuristic Exhibition 0-10" 1915 "Tramway V"

  3. Olga Rozanova was born in Melenki, a small town near Vladimir. Her father, Vladimir Rozanov, was a district police officer and her mother, Elizaveta Rozanova, was the daughter of an Orthodox priest. She was the family's fifth child; she had two sisters, Anna and Alevtina, and two brothers, Anatolii and Vladimir. Rozanova's father died in 1903, and her mother became the head of the household ...

  4. www.artnet.com › artists › olga-rozanovaOlga Rozanova | Artnet

    Olga Rozanova (63 results) View Olga Rozanova’s artworks on artnet. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.

  5. 29 de ene. de 2020 · The album War was created by the Russian avant-garde artist Olga Rozanova (1886–1918) with the poet Aleksei Kruchenykh (1886–1968) at the onset of World War I. 1 Between 1914 and 1915, Rozanova worked on the album in her hometown of Vladimir, a city located east of Moscow, while Kruchenykh composed the verses in the Caucasus during a ...

  6. Follow. Olga Vladimirovna Rozanova was a Russian avant-garde artist painting in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism. Olga Rozanova was born in Melenki, a small town near Vladimir. Her father, Vladimir Rozanov, was a district police officer and her mother, Elizaveta Rozanova, was the daughter of an Orthodox priest.

  7. On her way to abstract art Olga Rozanova passed through all stages of the avant-garde and left a visible trace everywhere. She was always in the centre of the renovation of art. In her article "The Foundations of New Creativity and Reasons for Failure to Understand It” from 1913 Rozanova anticipated much of what Kazimir Malevich would write in his pamphlet "From Cubism to Futurism and ...

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