Resultado de búsqueda
Lamentación sobre Cristo muerto (Mantegna) Lamentación sobre Cristo muerto, también llamada simplemente Cristo muerto (en italiano, Cristo morto ), es una de las más célebres obras de Andrea Mantegna. Es una obra al temple sobre lienzo de 68 centímetros de alto por 81 de ancho, conservado en la Pinacoteca de Brera de Milán, realizado ...
Throughout his life, Mantegna was fascinated with classical antiquity. In the middle of the sixteenth century, the biographer Giorgio Vasari, was the first of many to note how Mantegna's work in two dimensions possessed a sculptural quality, writing that 'Andrea was ever of the opinion that the good ancient statues were more perfect and had greater beauty in their various parts than is shown ...
Andrea Mantegna Andrea Mantegna Pintor italiano Nació en Isola di Carturo, cerca de Vicenza, en 1431. Su padre fue carpintero y a los 11 años se convirtió en apren
Andrea Mantegna ( Isola di Carturo, 1431 körül – Mantova, 1506. szeptember 13. ) padovai festő, a térérzékelés, a perspektíva mestere és a reneszánsz quattrocento szakaszának kiemelkedő művészegyénisége.
Andrea Mantegna, one of the most acclaimed painters of the early Renaissance, decided sometime around 1470 to tackle a new medium—the recently invented and technically daunting process of copperplate engraving. The austere and pathos-filled Entombment, though likely one of his earliest efforts, already exemplifies with its dynamic composition ...
Few artists have managed to imprint their personality so indelibly on posterity as Andrea Mantegna (c. 1430–1506). Before he reached the age of twenty, Mantegna was already being praised for his alto ingegno (exalted genius), and he became the court artist for the Gonzaga family in Mantua before he was thirty. Yet, this book argues, Mantegna was not simply a great painter. Together with ...
Hace 4 días · Mantegna y los espacios figurados. Andrea Mantegna nació en 1430 o 1431 en Isola di Carturo, cerca de Vicenza, y a los pocos días de nacer pasó a pertenecer a Leone di Francesco de Lazara, quien a su vez fue mecenas del que sería su maestro: Francesco Squarcione, autor de un célebre políptico para De Lazara en el que pudo haber ...
