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  1. Sidney, Sir Philip ( 1554–1586 ), author and courtier, was born on 30 November 1554 at Penshurst, Kent, the first of seven children of Sir Henry Sidney (1529–1586) and his wife, Mary Sidney (1530x35–1586), daughter of John Dudley, duke of Northumberland, and his wife, Jane Guildford. Through his mother's relations in particular, Philip ...

  2. Sir Philip Sidney was born on November 30, 1554, at Penshurst, Kent. He was the eldest son of Sir Henry Sidney, Lord Deputy of Ireland, and nephew of Robert Dudley, Earl of Leicester. He was named after his godfather, King Philip II of Spain. After private tutelage, Philip Sidney entered Shrewsbury School at the age of ten in 1564, on the same ...

  3. The Defence of Poesie, literary criticism by Sir Philip Sidney, written about 1582 and published posthumously in 1595. Another edition of the work, published the same year, is titled An Apologie for Poetrie. Considered the finest work of Elizabethan literary criticism, Sidney’s elegant essay

  4. Sir Philip Sidney. Poeta inglés, una de las figuras más prominentes de la época de Isabel I de Inglaterra. Se le conoce principalmente por ser el autor de Astrophil and Stella (Astrophil y Stella). Modelo de hombre renacentista y famoso en su día en Inglaterra. Como escritor, cortesano y militar, importó el soneto a la literatura inglesa.

  5. Sidney, Philip1554–1586English poet. P hilip Sidney was one of the leading poets of Renaissance England. His work had a major influence on the flowering of English literature, arts, and music in the late 1500s and early 1600s. A member of the nobility, Sidney held a place in the inner circle of writers, artists, scientists, and men of action ...

  6. 菲利普·锡德尼(菲利普·雪尼爵士,Philip Sidney,1554年11月30日—1586年10月17日)英国文艺复兴时期标准的绅士。他在社交活动中举止优雅;是理想的政治家、勇敢的军事领袖;他还熟悉当时的科学和艺术。他是当时英国最佳的散文作家,又是仅次于埃德蒙·斯宾塞的诗人。锡德尼饱读经书、性格内向 ...

  7. 22 de jul. de 2020 · By NASRULLAH MAMBROL on July 22, 2020 • ( 0 ) Sir Philip Sidney (1554 – 1586) was educated to embrace an unusual degree of political, religious,and cultural responsibility, yet it is clear from his comments in Defence of Poesie that he took his literary role as seriously. Both this critical treatise and Astrophel and Stella are manifestos ...