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Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists ...
Impressionism oli 19. sajandi maalikunsti vool, mis sai alguse 1860. aastatel oma kunstinäitusi korraldama hakanud Pariisi kunstnike vabast ühendusest. Vool sai nimetuse Claude Monet ' maali " Impression, soleil levant " ("Impressioon.
Key Points. The term ” impressionism ” is derived from the title of Claude Monet’s painting, Impression, soleil levant (“Impression, Sunrise”). Impressionist works characteristically portray overall visual effects instead of details, and use short, “broken” brush strokes of mixed and unmixed color to achieve an effect of intense color vibration.
In 1874, a group of artists called the Anonymous Society of Painters, Sculptors, Printmakers, etc. organized an exhibition in Paris that launched the movement called Impressionism. Its founding members included Claude Monet , Edgar Degas , and Camille Pissarro, among others.
Impressionismi ( ransk. impressionnisme) oli taidesuuntaus, joka vaikutti 1860-luvulta 1900-luvun alkuun. Sen ideana oli vangita vaikutelma eli impressio tietystä hetkestä ja jättää sommittelu ja yksityiskohdat toisarvoisiksi. Impressionismi syntyi Pariisissa Ranskassa, missä luonnon valosta ja värien vaihtelusta kiinnostuneiden nuorten ...
American Impressionism. Frank W. Benson, Eleanor Holding a Shell, North Haven, Maine, 1902, private collection. American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. [1]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
