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Since 2005 Tim Burton’s imagination has frequently turned to Victorian-related subjects. Focusing primarily on Corpse Bride (2005), Sweeney Todd (2007) and Alice in Wonderland (2010), this article argues that Burton’s response to (neo-) Victorian culture is a distinctly Gothic one. Unlike other more literary and canonical types of neo-Victorianism it engages with the popular and strongly ...
8 de jun. de 2020 · Burtonesque Embraces German Expressionism. Anyone familiar with the Arts can immediately tell Burton’s films are rooted in German Expressionism. What began as a modern art movement in the 1920s, swept through art, cinema, and animation in Europe, and then onto America. The German movement originated during World War 1 and drew on psychoanalysis.
As the auteur-in-the-making expanded his cinematic influences, his drawings grew more distinct, intricate, singular. What would become coined as a quintessentially Tim Burton-esque style, as the artist grew up to become a prominent director in his own right, began as the peculiar observations of a pastel-abundant suburbia from an awkward teenager’s perspective.
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29 de sept. de 2016 · Tim Burton has a very particular aesthetic and vision; his films are quirky and dark, offbeat and sympathize with the outcast. They are also very white. With”Miss Peregrine’s Home for Peculiar ...
Tim Jones, University of Stirling, UK. Jen Baker, University of Warwick, UK. Assistant Editor. Lobke Minter, City of Cape Town, Western Cape, South Africa. Reviews Editors. UK/Europe. Dr Sorcha Ní Fhlainn, Department of English, Manchester Metropolitan University, Manchester, M1 5NH. email: [email protected] North America/Rest of World
