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  1. Medalla Nacional de las Artes. Medalla Presidencial de la Libertad. Miembro de la Academia Estadounidense de las Artes y las Ciencias. Praemium Imperiale (1993) [ editar datos en Wikidata] Jasper Johns ( Augusta, Georgia, 15 de mayo de 1930) es un pintor, escultor y artista gráfico estadounidense .

  2. 18 de jul. de 2021 · Jasper Johns, 地图 (1963 年),私人收藏. 约翰斯的图像使用了通常与地图相关的颜色和惯例,这让我们比平时看得更仔细,而且我们看的越多,我们看到和思考的就越多。. 地图令人困惑,这就是重点。. 我们把周围的很多东西都视为理所当然,有时,需要一个不 ...

  3. nl.wikipedia.org › wiki › Jasper_JohnsJasper Johns - Wikipedia

    Jasper Johns (Augusta , 15 mei 1930) is een vooraanstaand Amerikaans kunstschilder, beeldhouwer en graficus. Hij is bekend van onder andere zijn schilderijen van de Amerikaanse vlag. Hij ontving in 2011 de Presidential Medal of Freedom .

  4. Jasper Johns is an American painter, sculptor, and printmaker whose work is mainly associated with abstract expressionism and pop art. In 1961 Johns created ‘Map’ an oil on canvas painting representing the overall proportions and shapes of the states of the USA. The names of the states and oceans have been stenciled in and the whole ...

  5. www.moma.org › learn › coursesjasper - MoMA

    Jasper Johns. Sparked by the gift of a printed plan of the continental United States from fellow artist Robert Rauschenberg, Map. (1961; plate 107) is the first of a group of paintings, drawings, and prints that Jasper Johns devoted to this subject.

  6. Jasper Johns. Jasper Johns, Jr ( Augusta, Geórgia, 15 de maio de 1930) é um pintor norte-americano do movimento Pop Art . Jasper Johns talvez tenha sido um dos mais importantes entre os pioneiros da pop art nos Estados Unidos. Começou a pintar objetos tão vulgares como por exemplo as bandeiras, mapas, algarismos.

  7. Jasper Johns«Map». Jasper Johns' paintings in the 1960s depict «commonplace, two-dimensional subjects such as flags, targets, maps, numbers, and letters of the alphabet. He was able to raise these objects to the level of icons through his paint handling and manipulation of surface texture (...). In their willful and ironic banality and their ...