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Giovanni Bellini. Džovanis Belinis ( it. Giovanni Bellini, sutrumpintai Džambelinas, it. Giambellino; apie 1430 – 1516 m.) – italų renesanso tapytojas, geriausiai žinomas iš Belinių šeimos. Jis vertinamas dailininku, padariusiu revoliuciją Venecijos koloristinėje tapyboje. Dž. Belinio tapyba ir peizažų vaizdavimas turėjo ...
Giovanni Bellini (c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini (who was more highly regarded than Giovanni during his lifetime, although the reverse is true today), and his brother-in-law was ...
Cristo bendiciendo (Giovanni Bellini, París) Cristo bendiciendo es una pintura al temple sobre tabla de 58 x 44 cm 1 de Giovanni Bellini, fechada entre 1460 y 1470 aproximadamente y conservada en el Museo del Louvre de París .
7 de dic. de 2019 · Giovanni Bellini (1430-1516) was a Venetian painter whose work reflects the increasing interest in Renaissance styles and themes in Venetian art during the Quattrocento period. He is one of the most well-known Italian Renaissance artists and has been renowned for his innovative pigmentation and ambiance in his paintings.
Giovanni Bellini. Giovanni Bellini zis și Giambellino (n. 1430, Veneția, Republica Veneția – d. 29 noiembrie 1516, Veneția, Republica Veneția) a fost pictor italian renascentist, reprezentant al școlii venețiene. Tatăl său a fost renumitul pictor Jacopo Bellini, iar cumnatul său - cunoscutul artist italian Andrea Mantegna.
Virgen del prado (Giovanni Bellini) Detalle del paisaje, con las murallas de Feltre tal como eran en la época. La Virgen del prado o Madonna de la pradera es un óleo sobre tabla luego trasladado a lienzo de 67,3 x 86,4 cm de Giovanni Bellini, de hacia 1505 y conservado en la National Gallery de Londres .
Giovanni Bellini’s evocative landscapes are as much the protagonists of his paintings as are the religious subjects that dominated 15th-century Italian art. One of the most influential painters of the Renaissance, he worked in and around Venice, and while his landscapes are highly metaphorical, they also accurately reflect the region’s topography and natural light.
