Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Freud returns to the portraits of heads that he had painted chiefly during the 1960s and shows the sitter slightly lower than shoulder length, dressed informally in a checked jacket, white shirt and dark tie. The frontal gaze and the introspection of his face recall the plaster portrait masks of Tel el-Amarna reproduced in Geschichte Aegyptens, Freud’s bedside book, to which so many ...

  2. 4 de dic. de 2019 · Feaver responded, in part, that over their long relationship, he noticed the “wiles” Freud tried with young women were the same “wiles” the artist brought to painting, to horses, to dogs ...

  3. 8 de dic. de 2016 · Lucian Freud. Famous works. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Queen Elizabeth II’ was created in 2001 by Lucian Freud in Expressionism style. Find more prominent pieces of portrait at Wikiart.org – best visual art database.

  4. As portraits began to dominate Freud’s practice in the 1940s, he turned to those closest to him. Early examples depicted lovers including Lorna Wishart, Kitty Garman and Caroline Blackwood. He painted his friend Francis Bacon, who would later return the favour in the 1969 masterpiece Three Studies of Lucian Freud.

  5. Lucian Freud (1922–2011) Tate. Freud was unsparingly honest, committed to the exploration of human flesh as it actually is. His naked portraits, in particular, attracted criticism for their explicitness. 'I want my paintings to feel like people', he said, 'I want the paint to feel like flesh.'.

  6. Lucian Freud fue un gran amigo del pintor expresionista figurativo Francis Bacon, desde 1959 y hasta su muerte 1992. Las obras de Lucian, particularmente los variados retratos de la madre, suelen describirse como las más importantes representantes de la escuela neofigurativa inglesa. Durante un breve período estudió en la Central School of ...

  7. LUCIAN FREUD : Portraits. «Il lui en aura fallu du temps pour abandonner son afféterie, son dandysme, son arrogance dont la mélancolie ou l’ironie ne trompe personne. Et il lui en aura fallu du temps pour que sa peinture, par le choix d’une brosse dure dans les années 50 et d’un blanc d’argent dans les années 80, finisse par forcer ...