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12 de may. de 2013 · Attributed to Domenico Ghirlandaio, Lucrezia Tornabuoni, Italian, 1449 - 1494, c. 1475, tempera and oil on panel, Samuel H. Kress Collection Short title sc731.jpg
Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de’ Medici’s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman’s contributions to the visual arts of fifteenth-century Florence. This focused investigation of the Medici family’s domestic altarpiece, Filippo Lippi ...
in exile. Like Tobias, Tornabuoni gives to the poor, tends to the sick, assists the dying; unlike Tobias, she has special affection for convents. Yet one may not want to exaggerate what Solum calls “Lucrezia’s rigorous spiritual life” (245), or under-play Tornabuoni’s irony and attachment to earthly things, as seen in her lengthy
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El nombre Lucrecia de Médici puede referirse a distintos personajes históricos descritos a continuación: Nannina de Médici (1448 – 1493), nacida como Lucrecia, hija de Pedro de Cosme de Médici y Lucrecia Tornabuoni, y hermana de Lorenzo el Magnífico; Lucrecia de Lorenzo de Médici (1470 – 1553), hija de Lorenzo el Magnífico y de ...
National Gallery of Art. [1] That there existed at least one, and probably two, painted panel portraits of Lucrezia Tornabuoni in the fifteenth century is verified by two documents: the inventory of Lorenzo de' Medici's possessions made at his death in 1492 includes mention of "Uno quadro di legname, dipintovi la 'mpronta di madonna Lucrezia" (Marco Spallanzani and Giovanni Gaeta Bertelà, eds ...
Clarisa era hija de Jacobo Orsini, señor de Monterotondo, y de Magdalena, hija de Carlos, duque de Bracciano, y hermana del cardenal Latino Orsini . La madre de Lorenzo de Médici, Lucrecia Tornabuoni, se ocupó personalmente de arreglar un matrimonio de prestigio para su primogénito, rodeándose de la alta sociedad en Roma para sondear a las ...
