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  1. Collection: John Chia and Cheryl Loh. Installation view: Two Houses: Politics and Histories in the Contemporary Art Collections of John Chia and Yeap Lam Yang, ICA Singapore, 21/7-10/10 2018. A boy shuts his eyes for a moment. When he wakes the world he once knew is gone. His room is an unfamiliar place.

  2. As it approaches the arts, phenomenology begins with noticing the relationships between art and embodied human life and attempts, not simply by means of concepts, but through what Husserl might have called “inexact essences.” 13 Phenomenology’s approach to the arts, then, is a kind of poetic prosody, and its descriptions move us, grammatically and perceptually, towards the horizon, the ...

  3. About the author (1975) Essayist and philosopher, a thinker influential in and out of the Spanish world, Jose Ortega y Gasset was professor of metaphysics at the University of Madrid from 1910 until the outbreak of the Spanish Civil War in 1936. The Revolt of the Masses, his most famous work, owes much to post-Kantian schools of thought.

  4. 30 de may. de 2018 · Abstract. p> Phenomenology as a philosophy and a method of inquiry is not limited to an approach to knowing, it is rather an intellectual engagement in interpretations and meaning making that is ...

  5. See Full PDF. Download PDF. 17 Filling in the Blank Art, Politics, and Phenomenology Christian Grüny While the couplings of art and politics, art and phenomenology, and phenomenology and politics seem to make immediate sense, the combination of all three creates a somewhat uneasy impression. Does politics have to come in when phenomenology ...

  6. 10 de ago. de 2009 · It addresses contemporary art, from postminimalist sculpture to installation. Although the risk of phenomenology is that it merely confirms and reproduces the viewer's perceptual expectations, in fact, on a deeper level, the notion of the ontological intertwining of the viewer and the artwork demands a receptive stance in the face of art.

  7. Truth in Art: Heidegger Against Contextualism \. 4. Space, Place, and Sculpture: Heidegger's Pathways \. 5. Vision in Being: Merleau-Ponty and the Depths of Painting \. 6. Subjectivity, the Gaze, and the Picture: Developing Lacan \. 7. Dimensions in Time: Dufrenne's Phenomenology of Pictorial Art \ Conclusion: A Preface to Post-Analytic ...