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  1. FontShop Team. Back in the late 1930s the innovative and somewhat unknown designer, Berthold Wolpe created five completely distinct typefaces, Albertus, Fanfare, Pegasus, Tempest and Sachsenwald. Revived and remastered for the digital age by Toshi Omagari and his team from The Monotype Studio, we are delighted to introduce, The Wolpe Collection.

  2. Caractère de titrage dessiné par Berthold Wolpe pour Monotype. De par ses empattements triangulaires pointus, dessinés comme un simple élargissement de l’extrémité des lettres, l’ Albertus semble cisellé dans la pierre. Flareserif 821 (Bitstream) Carte d’identité. de l’Albertus. Date de naissance.

  3. Individual Styles from $40.99. Albertus Font Family was designed by Berthold Wolpe and published by Monotype. Albertus contains 3 styles and family package options. More about this family. FREE 30-DAY TRIAL of Monotype Fonts to get Albertus plus over 150,000 fonts. Start free trial.

  4. 31 de dic. de 2023 · While Berthold is immersed in his book, Margaret is busy painting, and three of the children are messing about in the sea in the distance, unsupervised, while the fourth has disappeared from view. The joyful image captures the couple’s parenting style in the 1950s, which enabled Margaret to be both a mother and artist.

  5. Berthold Wolpe. Berthold Wolpe - né le 29. 10. 1905 à Offenbach, Allemagne, décédé le 5. 7. 1989 à Londres, Angleterre - typographe, créateur de caractères, enseignant. 1924-27 : étudie à la Kunstgewerbeschule d'Offenbach sous la direction de Rudolf Koch.

  6. www.monotype.com › fonts › sachsenwaldSachsenwald | Monotype.

    Berthold Wolpe first created the Sachsenwald typeface for a German publisher, who abandoned the order during World War II. Wolpe then tried to make his Sachsenwald typeface suitable for use in the general public, with the hope that it would ignite a “passing vogue” for blackletter type.

  7. typographica.org › typeface-reviews › wolpe-pegasusWolpe Pegasus – Typographica

    18 de oct. de 2018 · Working from the original drawings by Berthold Wolpe, Omagari decided to keep the imperfections, asymmetries and odd features of the original, without smoothing them out or regularizing them. Omagari’s revival restores a Bold and an Italic which were designed by Wolpe with the assistance of Matthew Carter in 1980, and adds a new and original Bold Italic style.