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Morozova, Theodosia (d. 1675)Russian noblewoman. Name variations: Boyarina Feodosia Morozova. Born in Russia; died 1675 in Moscow; eldest dau. of Boyar Sokovnin; sister of Princess Eudocia Urusova; m. Gleb Morozov (died); sister-in-law of Boris Morozov (tutor to Alexis I); related by marriage to the empress, Maria Miloslavskaia; children: son.
This makes for a significant difference between the two branches of Russian Orthodoxy, and one of the most noticeable (see the picture of Boyarynya Feodosia Morozova above). A prayer rug known as the Podruchnik is used to keep one's face and hands clean during prostrations , as these parts of the body are used to make the sign of the cross on oneself.
Feodosia Morozova. 1887 by Vasily Ivanovich Surikov is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality. We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master.
Feodosia Prokofiyevna Morozova (în chirilică : Феодосия Прокофьевна Морозова), născută pe 21 mai 1632 și a murit pe 1 st luna decembrie 1675 (în vârstă de 43 de ani), a fost unul dintre cei mai cunoscuți susținători ai mișcării Old Believer.
Feodosia Morozova played a central role in the seventeenth-century religious schism known as Old Belief. Together, with her sister Princess Evdokiia Urusova and their fellow noblewoman Maria Danilova, they formed part of the aristocratic elite that objected to the religious reforms of Patriarch Nikon. In 1672, all three were arrested and tried.
28 de dic. de 2000 · Margaret Ziolkowski's book comprises a thorough introduction to, skillful translation of, and erudite commentary on the four-hundred-year-old Tale of Boiarynia Morozova . The story of Feodosia Morozova, a member of the Russian aristocratic elite and a major participant in the Russian Othodox Schism, describes one of the most violent ruptures in ...
18 de ene. de 2021 · The idea of a popular struggle is expressed even more clearly in the painting, Boyar Woman Morozova (boyars – high society) which depicts an episode from the schism of 17th century. Here, an Old Believer, Feodosia Morozova, is transported across Moscow before being doomed to a slow death in an underground prison.
