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  1. Amalia de Solms-Braunfels, Condesa de Solms-Braunfels, fue la esposa de Federico Enrique de Orange-Nassau.

  2. 19 de oct. de 2008 · painting. Genre. portrait. Description. Portrait of Amalia of Solms-Braunfels (1602-1675), wife of Frederick Henry of Orange-Nassau (1584-1647), at knee-length, standing by a balustrade and a column, holding an olive branch in her right hand.

  3. 29 de nov. de 2019 · This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus ...

  4. Amalia de Solms-Braunfels, Condesa de Solms-Braunfels, fue la esposa de Federico Enrique de Orange-Nassau.

  5. Albertina Inés de Nassau (9 de abril de 1634 - 26 de mayo de 1696) fue regente de Frisia, Groningen y Drenthe durante la minoría de edad de su hijo, el conde Enrique Casimiro II de Nassau-Dietz, entre 1664 y 1679. 1 Ella era el sexto vástago y quinta hija del estatúder Federico Enrique de Orange y de Amalia de Solms-Braunfels .

  6. Amalia of Solms-Braunfels was Princess of Orange by marriage to Frederick Henry, Prince of Orange. She acted as the political adviser of her spouse during his reign, and acted as his de facto deputy and regent during his infirmity from 1640 to 1647. She also served as chair of the regency council during the minority of her grandson William III, Prince of Orange from 1650 until 1672.

  7. Chapter 240: Amalia de Solms-Braunfels. The most prominent Flemish Baroque artist of the seventeenth century, Anthony van Dyck was a prolific painter of portraits of European aristocracy, most notably for Charles I and his family. He also executed religious and mythological works and was a fine draftsman and etcher.