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  1. Behind the plaque, a queue of visitors forms, eager to enter a large square space—demarcated only by tape on the floor—to sit down at a wooden table across from a dark-haired woman in a navy-blue dress that conceals every part of her body save her face and her hands. The woman is the pioneering artist Marina Abramović, but its likely that ...

  2. 7 de feb. de 2013 · Marina Abramovic: The artist is present | No conocía la obra de Abramovic, la performance no me interesaba demasiado. Un documental como éste, puede interesar a los profesionales de las artes plásticas. También al público con ganas de conocer el arte contemporáneo. No es el lugar para desarrollar con detenimiento lo que pienso sobre la ...

  3. 6 de dic. de 2019 · Come nel caso specifico della performance chiamata The Artist Is Present, 2010, New York. In questo caso, il concetto di shock viene preso e donato a chiunque voglia partecipare a questa performance. Nello spazio del MoMA di New York, Marina Abramovic rimase seduta per 736 ore, pronta a condividere sguardi e silenzi con chiunque volesse sedersi e rimanere lì a fissare l’artista.

  4. 18 de oct. de 2012 · MARINA ABRAMOVIC - THE ARTIST IS PRESENT, un documentaire de Matthew AkersSélection Officielle - Festival de SundanceSélection Officielle - Berlin PanoramaPr...

  5. 11 de mar. de 2010 · Joshua Bright for The New York Times. By Holland Cotter. March 11, 2010. With the opening on Sunday of “Marina Abramovic: The Artist Is Present,” a long-building energy wave of performance art ...

  6. 5 de jul. de 2012 · Marina Abramovic: The Artist Is Present: Directed by Matthew Akers, Jeff Dupre. With Marina Abramovic, Ulay, Klaus Biesenbach, David Balliano. A documentary that follows the Serbian performance artist as she prepares for a retrospective of her work at The Museum of Modern Art in New York.

  7. 8 de feb. de 2013 · Entrega 118. Gollum, las precuelas y la falta de ideas en Hollywood. Se anuncia un spin-off de "El Señor de los Anillos" con Gollum como protagonista, por lo que José María Aresté, Pablo de Santiago y Juan Luis Sánchez –del equipo de Decine21–, debaten sobre el auge de las precuelas y secuelas, y la falta de ideas en Hollywood.

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