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  1. 19 de ene. de 2019 · On the occasion of the presentation of the 10th Max Steiner Film Music Achievement Award to this exceptional artist on behalf of the City of Vienna, his orchestral film compositions – some of them newly arranged by Hans Zimmer himself – are performed for the first time in a concert hall.

  2. 12 de mar. de 2022 · Hans Zimmer, the iconic composer who can count scores for films like The Lion King (for which he won an Oscar in 1995), Gladiator, the Pirates of the Caribbean series, the Dark Knight trilogy and ...

  3. October 15, 2022. 52min. TV-MA. Across a glittering 40-year career, Hans Zimmer has redefined the movie score. This documentary portrait showcases one of the most celebrated and sought-after composers in Hollywood, told by the man himself and his closest collaborators. He reveals the musical secrets of his craft, which has created unforgettable ...

  4. 16 de abr. de 2024 · Hans Zimmer: Hollywood Rebel (Netflix) is a BBC-produced documentary that originally appeared in 2022. Narrated by Lolly Adefope – aka noblewoman Katherine “Kitty” Higham on the original ...

  5. An in-depth look of the 40 year journey, from post-war Germany to Hollywood royalty, of Hans Zimmer, the man who’s become the dominant force in the world of movie soundtracks. His film credits include The Lion King, Rain Man, Pirates of The Caribbean, Gladiator, The Dark Knight Trilogy, 12 Year A Slave, The Thin Red Line, The Da Vinci Code and Dune.

  6. S1 E1 Hans Zimmer: Hollywood Rebel. 18+. Across a glittering 40-year career, Hans Zimmer has redefined the movie score. This documentary portrait showcases one of the most celebrated and sought-after composers in Hollywood, told by the man himself and his closest collaborators. He reveals the musical secrets of his craft, which has created ...

  7. 1 de dic. de 2014 · Sound and Vision Another interesting distinction of Hans Zimmer’s music is the way it merges the two leading approaches to film music – leitmotif and sound-driven score. Like John Williams, Hans Zimmer’s scores use plenty of leitmotif concepts, but rather than these being melodically or harmonically source they’re often driven by sound.