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23 de sept. de 2010 · Nights of Cabiria. In the fifth of their immortal collaborations, Federico Fellini and the exquisitely expressive Giulietta Masina completed the creation of one of the most indelible characters in all of cinema: Cabiria, an irrepressible, fiercely independent sex worker who, as she moves through the sea of Rome’s humanity, through adversity ...
Giulietta Masina, vero nome Giulia Anna Masina ( San Giorgio di Piano, 22 febbraio 1921 – Roma, 23 marzo 1994 ), è stata un' attrice italiana . Considerata una delle migliori attrici italiane della sua generazione, lasciò un'impronta indelebile nella storia del cinema italiano soprattutto grazie alle sue grandi interpretazioni nei film ...
Giulietta Masina. Jaunty, wide-eyed Italian screen star, most typically cast as naive, hopeful waifs, best known for her roles in films by husband Federico Fellini. Masina's almost Chaplinesque ...
Giulietta Masina, 1966. Giulietta Masina, född Giulia Anna Masina den 22 februari 1921 i San Giorgio di Piano, Emilia-Romagna, död 23 mars 1994 i Rom, var en italiensk skådespelerska, gift med Federico Fellini från 1943 till hans död 1993. Filmhistorikern Peter Bondanella beskrev Masinas arbete som "mästerligt" och "oförglömligt" och ...
Giulia Anna (Giulietta) Masina ( 22. februar 1921 – 23. mart 1994) je bila italijanska filmska glumica i supruga režisera Federica Fellinija . Rodila se u San Giorgio di Piano, od oca Gaetana Masine, violiniste, i majke Anne Flavie Pasqualin, učiteljice. Masina je prvo počela studirati književost ali se kasnije počela baviti glumom.
The Road: Directed by Federico Fellini. With Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani. A care-free girl is sold to a traveling entertainer, consequently enduring physical and emotional pain along the way.
Directed by Federico Fellini • 1954 • Italy Starring Giulietta Masina, Anthony Quinn, Richard Basehart With this breakthrough film, Federico Fellini launched both himself and his wife and collaborator Giulietta Masina to international stardom, breaking with the neorealism of his early career in favor of a personal, poetic vision of life as a bittersweet carnival.
