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3 de abr. de 2024 · Vsevolod Pudovkin (born February 28 [February 16, Old Style], 1893, Penza, Russia—died June 30, 1953, Moscow, Russia, U.S.S.R.) was a Soviet film director and theorist who was best known for visually interpreting the inner motivations and emotions of his characters. Wounded and imprisoned for three years in World War I, Pudovkin returned to ...
7 de jun. de 2014 · Soviet Montage Theory – Battleship Potemkin. A silent film directed by Sergei Eisenstein in 1925 that depicts the rebellion that occurred in 1905. The most famous scene like Odessa Steps had the power to pull the audience into the mutiny that the film was banned in most countries even Soviet Union, and today even though it seen as an art of ...
16 de abr. de 2013 · Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.
12 de abr. de 2019 · On my work desk within easy reach is a worn, red cloth-bound hardcover book written by a Russian filmmaker named Vsevolod I. Pudovkin. It’s called Film Technique & Film Acting, and it’s one of my most treasured books on the craft of film. Though, written in 1958 (or published in English) it reads as importantly today as it did then.
Eisenstein's opinion was inclined to intellectual film, which lacked a fabulation and the main character. Pudovkin understood a film as a relationship to the narrative. Montage of the film Mother radiates peacefully from the story, from a particular environment, from the heroes and it reaches metaphorical dimension. As we can see in the.
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- Saul Isaac Garcia Moran
El montaje es la base estética del cine. El montaje crea la realidad cinematográfica al transformar la materia prima fotográfica en forma artística. Cada escena o plano individual es solo material bruto hasta que es integrado en la composición final a través del montaje. El montaje es el momento creativo donde una fotografía inanimada cobra vida cinematográfica.
