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  1. Human Desire (1954) Fritz Lang's Human Desire (1954) is a dirty, deceitful, drunken diesel-ride — to the death. Set in and around train yards, and in the trains themselves, Human Desire is an adaptation of a novel by Emile Zola, although the story and the characters are perfect for film noir. There's the returning war veteran, often a theme ...

  2. Rene Girard’s insight into the shape of desire radically transformed the previously held assumption that desire is strictly horizontal, occurring like a straight line between subject and object. By studying the great works of literature, Girard discovered that human desire is fundamentally imitative: people learn how to desire through others.

  3. "Human Desire" is NOT one of Fritz Lang's masterpieces. Though it has its moments, it ultimately comes off as a second-rate work. A remake of Jean Renoir's 1938 "La bete Humaine" starring Jean Gabin, "Human Desire" is less successful than Renoir's adaptation of the Zola novel, but when all things considered, it is not bad, and is filled with some interesting geometric images & visuals.

  4. Daido Moriyama. Marina Abramović, Crystal Cinema I, 1990. Clear quartz, wooden stool. It’s time to break free. To untangle from shame and expectation. To live without compromise. Indulge in the things that make you feel - and the things that make you feel good. Human Desire shouldn’t be tamed, it should be unleashed.

  5. Human Desire is directed by Fritz Lang and adapted for the screen by Alfred Hayes from the story "The Human Beast" written by Émile Zola. It stars Glenn Ford, Gloria Grahame and Broderick Crawford. Music is by Daniele Amfitheatrof and Burnett Guffey is the cinematographer.

  6. 14 de feb. de 2017 · According to a team of scientists led by Dr. Helen Fisher at Rutgers, romantic love can be broken down into three categories: lust, attraction, and attachment. Each category is characterized by its own set of hormones stemming from the brain (Table 1). Table 1: Love can be distilled into three categories: lust, attraction, and attachment.

  7. The Gloria Grahame-Glenn Ford pair star once again in this Fritz Lang feature, in which a Korean War veteran, rail worker Jeff, succumbs to the charm of an attractive woman suffering in thrall to a violent husband. So much that, in his desire to save her, he entertains thoughts of murdering him.

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