Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Tormenta mortal es una película dirigida por Frank Borzage con Margaret Sullavan, James Stewart, Robert Young, Esther Dale .... Año: 1940. Título original: The Mortal Storm. Sinopsis: Victor Roth es un estimado profesor universitario de origen judío que vive felizmente con su esposa y los cuatro hijos de ésta en un pequeño pueblo del sur ...

  2. ¿Y ahora, qué? es una película dirigida por Frank Borzage con Margaret Sullavan, Douglass Montgomery, Muriel Kirkland, Donald Haines .... Año: 1934. Título original: Little Man, What Now?.

  3. 12 de feb. de 2012 · Nada menos que cinco nominaciones consiguió ‘El séptimo cielo’ (‘7th Heaven’, Frank Borzage, 1927), todo un logro si consideramos que las categorías aquellos años eran muchas menos que en la actualidad, y que los galardones tanto de película como de director se dividían en dos grupos.

  4. La gran pasión (Te he querido siempre) es una película dirigida por Frank Borzage con Philip Dorn, Catherine McLeod, Bill Carter, Felix Bressart .... Año: 1946. Título original: I've Always Loved You. Sinopsis: Historia de amor entre un tiránico director de orquesta y una pianista, que es alumna suya.

  5. 2 de mar. de 2020 · There seems to be a curious near-unanimity among critics and historians of cinema that attributes the paternity of Desire (1936) to its producer, Ernst Lubitsch, rather than to its credited director, Frank Borzage. One of the reasons is that Lubitsch is better known as the director of sophisticated comedies, while Borzage is seen as a ...

  6. Frank Borzage ( né Borzaga; April 23, 1894 – June 19, 1962) was an American film director and actor. He was the first person to win the Academy Award for Best Director for his film 7th Heaven (1927) at the 1st Academy Awards. Born to European immigrant parents in Salt Lake City, Borzage began his career as a teenager performing with ...

  7. theyshootpictures.com › borzagefrankTSPDT - Frank Borzage

    Frank Borzage "To this day, he remains under appreciated, even obscure, perhaps because his melodramatic sensibilities have fallen out of fashion. Although his films may seem outdated due to their immediate political and social contexts, their emotional power and visual radiance remains undimmed; these are films as timeless and eternal as the loves they honour."