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  1. Alcestes, o El triunfo de Alcides (título original en francés, Alceste, ou Le Triomphe d'Alcide) es una tragédie en musique (tragedia lírica) en cinco actos, con un prólogo, con música de Jean-Baptiste Lully y libreto en francés de Philippe Quinault. Se basa en la Alcestis de Eurípides. La ópera fue estrenada el 19 de enero de 1674 en ...

  2. en.chateauversailles.fr › great-characters › lullyLully | Palace of Versailles

    Spotted in Italy, Jean-Baptiste Lully was introduced to the court of Louis XIV at a young age. He soon revealed his musical talents and became Master of the King’s Music in 1661. Although he was close to Molière for a time, the two fell out and Lully assumed sole control over dramatic music at the royal court. He became director of the Sun King’s Academy of Music, and he is considered the ...

  3. Biographie de JEAN-BAPTISTE LULLY (1632-1687). L'œuvre et le personnage de Lully dominent largement l'histoire de la musique française de la seconde moitié du xvii e siècle. Malgré la présence de musiciens de premier plan tels que Marc Antoine Charpentier , c'est lui qui non seulement...

  4. 8 de jun. de 2018 · Jean Baptiste Lully (1632-1687), Italian-born French composer, established the basic form of French opera, which remained virtually unchanged for a century. Jean Baptiste Lully was born in or near Florence on Nov. 28, 1632. At the age of 12 he went to Paris, where he received his musical training. He performed successfully as violinist, dancer ...

  5. Jean-Baptiste Lully was born Giovanni Battista Lulli on November 28, 1632, in Florence, Italy. At the age of twelve, he was taken to France by Roger de Lorraine, the Duke of Guise, as an Italian servant. In France, Lully’s musical talents were recognized, and he was educated in music and dance, becoming proficient in the violin.

  6. Jean-Baptiste Lully. Qu’il s’agisse de musique sacrée, profane, instrumentale ou vocale, Lully est celui qui a forgé les formes qui, un siècle durant, ont incarné l’essence de la musique française. Pour répondre à l’évolution du goût de Louis XIV, il s’est successivement illustré dans le ballet, la comédie-ballet et enfin ...

  7. Employment within the court of Louis XIV allowed Lully to lavish his talents on creating spectacular works for the stage, as Jan Smaczny explains