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  1. 2 de may. de 2006 · Oklahoma! established the idea of the musical play. Agnes as usual used a combination of dance genres in the musical. She combined ballet and pantomime with tap and folk dance (Long, 38). A large contribution to the musical was the fact that the dance added to the storyline. Before this play dance and music had been almost separate segments ...

  2. 12 de feb. de 2021 · February 7, 2021. Charlotte Kasner. Agnes de Mille was one of several women, including Ida Rubenstein and Marie Rambert, who were on the fringes of Russian ballet in exile with a knowledge of classical ballet but without the strong technique that characterised the main dancers. Women of course, perhaps even now, have far more competition than ...

  3. 18 de sept. de 2020 · Famed choreographer Agnes de Mille was born September 18, 1905.. De Mille, a founding member of the Stage Directors and Choreographer’s Society, made her Broadway debut choreographing for the ...

  4. 20 de jul. de 2019 · Agnes de Mille made history in 1943 with her choreographic work for the Rodgers and Hammerstein musical, Oklahoma!. De Mille’s invention of using dance as a means to further the plot as well as the idea of a “Dream Ballet,” to express the underlining psychological forces of the characters historically changed the use of dance in musical theater through the 20th century to today.

  5. 27 de abr. de 2015 · Oklahoma! It was de Mille’s success with Rodeo that led to her being hired to choreograph Oklahoma!. The musical’s seminal dance sequence “The Dream Ballet” or “Laurey Makes Up Her Mind”, explores the female lead’s tension of deciding between two suitors: the good-hearted Curly and the sinister-yet-intriguing Jud.

  6. An account of Agnes De Mille's creation of Fall River Legend, a theatrical depiction of the infamous Lizzie Borden murders, and her struggle to bring the work to the stage.

  7. Agnes de Mille (dancer, choreographer; born 1905, New York, New York; died October 7, 1993) Although Agnes de Mille seemed destined to perform on Broadway, since her paternal grandfather, father, and uncle, Cecil B. de Mille, were all successful writers and actors involved in the theater, she avoided the easy path to Great White Way.