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Mark Roberts appeared in Barnaby Jones portraying a character named Tony Bloom; episode titled, "Perchance to Kill"(03/11/1973). Roberts made his last screen appearance in the short-lived 1994 sitcom Monty. Personal life. Roberts married Audrey Von Clemm in Philadelphia, Pennsylvania, in 1953.
Sabatino first gained fame as the evil Chip Roberts/Tony Fenice on the prime-time soap Knots Landing from 1982 to 1983. He appeared as villain Lawrence Alamain on Days of Our Lives for three years from September 1990 until October 1993. After leaving DAYS he joined The Bold and the Beautiful as entrepreneur Anthony Armando from November 1993 to ...
Robert Daws (born 4 May 1959) is an English actor, and crime fiction author. He is best known for his television roles, including Tuppy Glossop in Jeeves and Wooster (1990–93), gruff cricketer Roger Dervish in the comedy Outside Edge (1994–96), mini-cab firm owner Sam in the sitcom Roger Roger (1996–2003), and East Yorkshire GP Dr Gordon Ormerod in the period medical drama The Royal ...
About Tony Roberts: David Anthony Tony Roberts is an American actor. He is best known for his roles in several Woody Allen movies, most notably Annie H...
Sugar is a 1972 musical with a book by Peter Stone, music by Jule Styne, and lyrics by Bob Merrill. The musical is based on the 1959 film Some Like It Hot, which was adapted by Billy Wilder and I.A.L. Diamond from a story by Robert Thoeren and Michael Logan. The musical's name, spotlighting the lead female character, resulted from producer ...
—Woody Allen in July 1976 1977–1989: Established career Then came two of Allen's most popular films: Annie Hall and Manhattan. Annie Hall (1977) won four Academy Awards, including Best Picture, Best Actress in a Leading Role for Diane Keaton, Best Original Screenplay and Best Director for Allen. It set the standard for modern romantic comedy and ignited a fashion trend with the clothes ...
Roberts was cast to type as a surfer in his film debut, credited as Tony Roberts, playing the role of "Brad" in The Beach Girls and the Monster. In post-production Roberts' dialogue was hurriedly overdubbed by another actor, obliterating the distinctive baritone that would become a hallmark of later performances.
