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12. Henrietta Maria and the Politics of Widows’ Dress at the Stuart Court Erin Griffey Abstract Mourning dress was one of the most pervasive sartorial symbols at the early modern court. This essay examines Henrietta Maria’s adoption of such dress after the execution of Charles I and the political agendas and social ideals that informed it.
Henrietta Maria: Piety, Politics and Patronage. Erin Griffey. Routledge, Dec 5, 2016 - Art - 240 pages. Compiled by art historians, literary scholars, musicologists, and historians, this essay collection is an innovative and interdisciplinary study of Queen Henrietta Maria and her multi-faceted roles and responsibilities.
21 de sept. de 2023 · A second service was attended by Charles and Henrietta Maria, the anglicised version of her name. She landed at Dover, Kent, on the east coast of England on 13 June 1625, and the wedding was conducted 14 miles away at St. Augustine's Church in Canterbury the same day. Charles chose to call his new wife Maria in private.
Henrietta Maria. II. Charles. II. & VII. James. IV. Henry. Henrietta Maria ( Fransızca: Henriette Marie; [1] 25 Kasım 1609 – 10 Eylül 1669), 13 Haziran 1625'te Kral I. Charles ile evliliğinden Charles 30 Ocak 1649'da idam edilene kadar İngiltere, İskoçya ve İrlanda Kraliçesiydi.
When the 15-year-old Henrietta Maria, daughter of Henri IV of France and Marie de Medici, arrived in England in June 1625 to marry Charles I, she could not speak English. She discovered her future husband to be short, puny, stiff in manner, who spoke with a stammer.
5 de abr. de 2019 · Pearce meticulously recounts the dramatic story of Henrietta Maria’s life: her marriage to Charles I of England in her teens, the difficult early years of their marriage, the stormy relations between Charles I and Parliament that eventually led to Civil War and his execution, the Queen’s flight back home to Paris in 1644, her complicated relationship with her children and finally, her ...
This article presents evidence about Henrietta Maria's dress from her wardrobe accounts of 1627 to 1639. The accounts, in the National Archives at Kew, include a vast range of loose bills, acquittances and warrants related to textiles, garments, trimmings and accessories supplied and made for the Queen and members of her household.
