Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. William Cameron Menzies. Second Unit or Assistant Director: Gone with the Wind. William Cameron Menzies was educated at Yale University, the University of Edinburgh and at the Art Students League in New York. He entered the film industry in 1919, after serving with the U.S. Expeditionary Forces in World War I. His initial assignments were in film design and special effects, as assistant to ...

  2. William Cameron Menzies (* 29. Juli 1896 in New Haven , Connecticut ; † 5. März 1957 in Beverly Hills , Kalifornien ) war ein US-amerikanischer Regisseur , Produzent , Drehbuchautor und Filmarchitekt in Hollywood , wo er auch für die Ausstattung und das Art Department zuständig war.

  3. 26 de mar. de 2024 · William Cameron Menzies (born July 29, 1896, New Haven, Connecticut, U.S.—died March 5, 1957, Beverly Hills, California) was an American set designer, one of the most influential in filmmaking, whose work on The Dove (1927) and The Tempest (1928) won the first Academy Award for art direction. His visual style was also evident in the 15 films ...

  4. 11 de jun. de 2018 · William Cameron Menzies set the Hollywood standard for designing sumptuous movie panoramas. In epics such as Gone with the Wind and fantasies such as The Thief of Baghdad, studios relied on the visual wizardry of Menzies, whose prestige derived from his uncanny eye for movie visuals. Menzies played a crucial role in creating the stunning scenes ...

  5. Causa da morte. câncer. [ edite no Wikidata] William Cameron Menzies ( New Haven, Connecticut, 29 de julho de 1896 – Beverly Hills, Califórnia, 5 de março de 1957) foi um diretor de arte e cineasta estadunidense .

  6. Frank Wisbar, John Reinhardt, William Cameron Menzies. Gene Raymond, John Warburton, Dabbs Greer, Gertrude Michael, Noah Leary... Comedia - 1 Películas. Te quise ayer.

  7. 3 de mar. de 2018 · William Cameron Menzies (Connecticut, 1896 - California, 1957), el director artístico de la película, logró así dar continuidad a una obra en la que los guionistas cambiaban de la noche a la mañana y que llegó a tener hasta tres directores distintos: Victor Fleming, George Cukor y Sam Wood. Su técnica consistía en bosquejar cada escena ...