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Title: Franklin Evans; Or, the Inebriate. A Tale of the Times. Date: November 23, 1842. Creator (s): Walt Whitman. Whitman Archive ID: per.00267. Source: The New World, November 23, 1842: [1]–31. Transcribed from digital images of an original issue held in the private collection of Ed Folsom. For a description of the editorial rationale ...
Sinopsis de FRANKLIN EVANS, EL BORRACHO. Despreciada por su propio autor, olvidada por la crítica y desconocida para la mayoría de los lectores, «Franklin Evans» es la única novela que Whitman escribió en toda su vida. La obra es un compendio de las preocupaciones y gustos del entonces joven periodista y popular autor Walter Whitman ...
FRANKLIN EVANS EL BORRACHO, WHITMAN, WALT (1819-1892), 15,95 €. Despreciada por su propio autor, olvidada por la crítica y desconocida para la mayoría de los lectores, «Franklin Evans» es la única novela que Whitman escribió en toda su vida. La obra es un compendio de las preocupaciones y gustos del entonces joven periodista y popular autor Walter Whitman, quien una década más tarde ...
17 de jul. de 2007 · Franklin Evans, or The Inebriate: A Tale of the Times was his first and only novel. Published in 1842, during a period of widespread temperance activity, it became Whitman’s most popular work during his lifetime, selling some twenty thousand copies.The novel tells the rags-to-riches story of Franklin Evans, an innocent young man from the Long Island countryside who seeks his fortune in New ...
Franklin Evans wants viewers to walk all over his floor-to-ceiling and wall-to-wall installations. These immersive works are obliquely autobiographical, constructed from amassed art supplies and materials found in his studio space—including artists’ tape, bubble wrap, old newsprint, unstretched canvas, and press releases from gallery exhibitions.
Franklin Evans wants viewers to walk all over his floor-to-ceiling and wall-to-wall installations. These immersive works are obliquely autobiographical, constructed from amassed art supplies and materials found in his studio space—including artists’ …
Franklin Evans, “paintingassupermodel,” at Ameringer | McEnery | Yohe through August 1 Understated and subtle are two adjectives that will never be applied to Evans’s work. For his debut at this gallery, he cannibalizes the entire space — including the floors — creating a massively dense, referential installation that’s terrifically entertaining to get lost within.
