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28 de nov. de 2010 · Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’.
an adequate definition of a work of art, there remains a third procedure. that is directed toward the same type of question. Phenomenological description promises to give access to "what the thing itself is"; that would be equivalent for many purposes to a definition. As Roman.
The leading question of my essay is whether, and possibly how, this observation can be methodologically generalized for understanding phenomena. I discuss if, and possibly how, a phenomenological reflection on art allows and even demands a general conception of phenomenology that nevertheless does not confuse artworks with phenomena in general.
1 de abr. de 1975 · Phenomenology and Art Paperback – April 1, 1975 . by Jose Ortega y Gasset (Author), Philip W Silver (Translator) 3.7 3.7 out of 5 stars 4 ratings.
- Jose Ortega y Gasset
29 de nov. de 2010 · Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’.
16 de nov. de 2003 · Phenomenology. First published Sun Nov 16, 2003; substantive revision Mon Dec 16, 2013. Phenomenology is the study of structures of consciousness as experienced from the first-person point of view. The central structure of an experience is its intentionality, its being directed toward something, as it is an experience of or about some object.
14 de oct. de 2018 · Perspectival study of the Adoration of the Magi by Leonardo da Vinci, c. 1481. One of the many significant elements that Rosalind Krauss incorporates in her theory of installation and ‘post-medium’ art, is an emphasis on the phenomenological aspect of art—Merleau-Ponty’s in particular—a philosophy that expounds the way subjects perceive the world around them in a manner that is ...
