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About Imogen Holst; Explore; Holst Project; Britten Pears Arts Snape Maltings Concert Hall, Snape, Saxmundham, Suffolk IP17 1SP. brittenpearsarts.org (+44) 01728 451700.
The first list is Imogen Holst’s original compositions, the second arrangements and adaptations by her of traditional folk tunes and works by other composers. Tinker’s Catalogue of Imogen Holst’s works published on pages 388-460 of the 2007 1 st edition of Imogen Holst: a Life in Music gives further details for each work including first performance, duration and published editions.
Peter Pears, Benjamin Britten and Imogen Holst. 1954, photographer unknown. Holst’s uncanny ability to make things happen, the persuasiveness of her lively blue eyes, found its apex in the life of the Aldeburgh Festival. The journal Holst kept between 1952 and 1954 – peppered with exuberant exclamation marks and underlinings – catalogues ...
Imogen Clare Holst CBE, nada o 12 de abril de 1907 en Richmond, Surrey (Reino Unido) e finada o 9 de marzo de 1984 en Aldeburgh, Suffolk (Reino Unido), foi unha compositora, arranxadora, directora de orquestra, profesora e administradora de festivais británica. Única filla do compositor británico Gustav Holst, é especialmente coñecida polo seu traballo educativo no Dartington Hall na ...
Imogen Claire Holst war die Tochter des Komponisten Gustav Holst und dessen Ehefrau Isobel Harrison. Sie besuchte die St Paul’s Girls School in Hammersmith und studierte am Royal College of Music in London. Während des Zweiten Weltkriegs arbeitete sie von 1941 bis 1944 als Organisatorin beim Council for the Encouragement of Music and the ...
Imogen Holst was born in Richmond, Surrey, in 1907 and educated at St Paul’s Girls’ School, where her father, Gustav Holst, was director of music. She worked with Herbert Howells before entering the Royal College of Music in 1926 to study composition with George Dyson and Gordon Jacob, harmony and counterpoint with Ralph Vaughan Williams, and conducting with William H. Reed.
Imogen Holst was born in Richmond, Surrey, in 1907 and educated at St Paul’s Girls’ School, where her father, Gustav Holst, was director of music. She worked with Herbert Howells before entering the Royal College of Music in 1926 to study composition with George Dyson and Gordon Jacob, harmony and counterpoint with Ralph Vaughan Williams, and conducting with William H. Reed.
