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Kenji Mizoguchi (Tokio, 1898 - Kyoto, 1956) Cineasta japonés. La brillante fusión de lo tradicional y lo innovador hizo de las obras del director de cine nipón Kenji Mizoguchi un punto de referencia esencial para comprender la evolución artística de Japón después de la ruptura traumática que supuso la Segunda Guerra Mundial.
23 de jun. de 2014 · Kenji Mizoguchi (1898-1956) was a foundational figure of the Japanese cinema and one of its uncontestably supreme artists. Mizoguchi remains best known today for his late masterworks of the 1950s and especially The Life of Oharu , Ugetsu and Sansho the Bailiff, haunting visions of feudal Japan tragically shaped by the suffering heroines and inexorable tracking shots often declared the pillars ...
Kenji Mizoguchi. Kenji Mizoguchi (溝口 健二, Mizoguchi Kenji?) est un réalisateur japonais né le 16 mai 1898 à Tokyo et mort le 24 août 1956 à Kyoto. Il est aujourd'hui considéré comme un des maîtres du cinéma japonais, aux côtés d' Akira Kurosawa et de Yasujirō Ozu.
4 de oct. de 2002 · Mizoguchi, Kenji. b. May 16, 1898, Tokyo, Japan. d. August 24, 1956, Kyoto, Japan. “The comparisons are as inevitable as they are unfashionable,” wrote James Quandt, introducing the centenary retrospective of the films of Kenji Mizoguchi. “Mizoguchi is cinema’s Shakespeare, its Bach or Beethoven, its Rembrant, Titian or Picasso.”.
El intendente Sansho (1954) La señorita Oyu (1951) Kenji Mizoguchi. Director/a. en. The Solitary Gourmet (Serie de TV) (2012) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones ...
15 de abr. de 2018 · Kenji Mizoguchi. Du 15 mars au 15 avril 2018 . Poèmes de la force. Si le cinéma n'était pas un art, l'œuvre de Kenji Mizoguchi n'en suffirait pas moins à l'inscrire au rang des plus hautes manifestations du génie humain.
12 de may. de 2024 · Mizoguchi Kenji(born May 16, 1898, Tokyo, Japan—died Aug. 24, 1956, Kyōto) was a Japanese motion-picture director whose pictorially beautiful films dealt with the nature of reality, the conflict between modern and traditional values, and the redeeming quality of a woman’s love. In 1919, after he had studied painting and had spent a short ...
