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6 de abr. de 2024 · Michael Curtiz (born December 25, 1886, Budapest, Austria-Hungary [now in Hungary]—died April 10, 1962, Hollywood, California, U.S.) was a Hungarian-born American motion-picture director whose prolific output as a contract director for Warner Brothers was composed of many solid but run-of-the-mill genre films along with a string of motion ...
Michael Curtiz. Director: Casablanca. Curtiz began acting in and then directing films in his native Hungary in 1912. After WWI, he continued his filmmaking career in Austria and Germany and into the early 1920s when he directed films in other countries in Europe. Moving to the US in 1926, he started making films in Hollywood for Warner Bros. and became thoroughly entrenched in the studio ...
Michael Curtiz, syntymänimeltään Manó Kertész Kaminer, (24. joulukuuta 1886 Itävalta-Unkari – 10. huhtikuuta 1962 Yhdysvallat) oli elokuvaohjaaja, joka ohjasi muun muassa Casablancan ja Hollywood-elokuvan Sinuhe, egyptiläinen, joka perustuu kirjailija Mika Waltarin teokseen Sinuhe egyptiläinen.
El capitán Blood (1935) Michael Curtiz Productions. Empresa. en. Sin sombra de sospecha (1947) Mi sueño eres tú (1949) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones ...
Michael Curtiz. Highest Rated: 100% The Comancheros (1961) Lowest Rated: 25% Tenderloin (1928) Birthday: Dec 24, 1888. Birthplace: Budapest, Austria-Hungary. One of the most prolific directors in ...
Michael Curtiz, director de cine estadounidense de origen húngaro ( 24 de diciembre de 1888, Budapest - 10 de abril de 1962, Hollywood ). Su verdadero nombre era Manó Kertész Kaminer. Educado en la Universidad de Markoszy y en la Real Academia de Teatro de la capital húngara. Actor teatral desde 1906, se vincula al cine en 1912, como actor ...
31 de ene. de 2022 · Finally, in 1954, Curtiz made his last film at Warners as a contract director, the middling western The Boy from Oklahoma. The concluding chapter of Michael Curtiz’s career is replete with hits and misses. Now operating on a freelance basis, his films continued to run the gamut, with more markedly mixed results.
