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Frank Borzage (pronounced "Bor-ZAY-gee") was of Swiss, Italian, and Austrian ancestry, born in Salt Lake City, UT, the fourth of eight children of an Italian-speaking stonemason father and a German-speaking mother. As a boy, he was drawn to acting. At age 20, he'd gone to work for producer/director Thomas Ince.
19 de abr. de 2024 · Frank Borzage (born April 23, 1893, Salt Lake City, Utah, U.S.—died June 19, 1962, Los Angeles, California) was an American motion-picture director and producer noted for his romantic transcendentalism and technically impeccable filmmaking. (Read Martin Scorsese’s Britannica essay on film preservation.) He was the son of a master stonemason.
10 de may. de 2024 · Biografía de Frank Borzage 23 de Abril de 1894, y su filmografía, todas sus películas: Tres camaradas, El séptimo cielo (1927), Tormenta mortal, Deseo, Secretos
Borzage switched from acting to directing in 1916, bringing to the screen a dedication to romanticism that became his trademark. Although undoubtedly sentimental--and criticized by some for it--his films, from "Humoresque" (1920) through "Moonrise" (1948), were not only undeniably popular but, at their best, were also the moving, highly artful ...
Frank Borzage nació en Salt Lake City, Utah, el 23 de abril de 1893. Su madre era de origen suizo-alemán y su padre era italiano. Frank inició sus estudios primarios pero los abandonaría pronto, y con tan sólo 12 años comenzó a trabajar en la mina de Silver King. A partir de ese momento Frank trabajará en distintos gremios hasta que en ...
18 de abr. de 2024 · Film series. Apr 18–24, 2024. “In Borzage’s cinema, mastery of the intimate gesture, peculiar to the most beautiful silent films, lived on. The images emit a language of tenderness, whose secret had seemed lost forever…. The cosmic and the intimate are one. Each of us has a piece of earth in death, and a piece of heaven in life” (Peter von Bagh). Frank Borzage’s 1933 Man’s Castle ...
21 de mar. de 2003 · Frank Borzage: Architect of Ineffable Desires. While much of the writing on Frank Borzage will invariably argue that he is a neglected filmmaker, his cinema has not significantly lacked important critical commentary. (There is probably more major work on Borzage than there is on a comparable figure like King Vidor.)
