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Banksy even turned her into graffiti on a Bristol wall, with a security alarm in place of her earring. Vermeer's Girl with a Pearl Earring hanging at the Mauritshuis (From the collection of Mauritshuis) It wasn’t always so iconic, though. We don’t know whom Vermeer first painted it for in 1665-66, but it ended up in his patron’s ...
Mauritshuis. Girl with a Pearl Earring (c. 1665 (digitized by Madpixel)) by Johannes Vermeer Mauritshuis. Johannes Vermeer’s Girl with a Pearl Earring is the most famous painting in the Mauritshuis and is probably Vermeer’s most celebrated work. So many have been captivated by the way the girl turns towards the viewer, by her gaze, by the ...
Girl with a Pearl Earring is Vermeer’s most famous painting. It is not a portrait, but a ‘tronie’ – a painting of an imaginary figure. Tronies depict a certain type or character; in this case a girl in exotic dress, wearing an oriental turban and an improbably large pearl in her ear.</p> <p>Johannes Vermeer was the master of light.
21 de oct. de 2014 · 21 October 2014. By Alastair Sooke,Features correspondent. (Mauritshuis, The Hague) As Vermeer’s Girl with a Pearl Earring returns home to The Hague, Alastair Sooke delves into the story of the ...
14 de oct. de 2023 · Johannes Vermeer created Girl with a Pearl Earring in 1665 during the height of the Dutch Golden Age. The painting is one of the best-known examples from the Baroque art period and is of the Realism genre. The medium is oil on a canvas 44.5-cm high, and 39-cm wide. The painting is currently owned and displayed by the Mauritshuis Royal Picture ...
Banksy even turned her into graffiti on a Bristol wall, with a security alarm in place of her earring. Vermeer's Girl with a Pearl Earring hanging at the Mauritshuis (From the collection of Mauritshuis) It wasn’t always so iconic, though. We don’t know whom Vermeer first painted it for in 1665-66, but it ended up in his patron’s ...
Girl with a Pearl Earring has been known to the general public only since 1881, when it was put up for auction at the Venduhuis der Notarissen in The Hague. On the viewing day it attracted the attention of the influential cultural official Victor de Stuers, who was there together with his friend and neighbour, the art collector A.A. des Tombe.
