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Rossellini's most pure Neorealist movie is the impassioned, bleak Paisan (Paisà), a collection of brief sketches that follow the Allied advance northward, starting with Sicily. Many of the performers are first-time actors.
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9 de jul. de 2009 · Paisà’s impersonal, almost sociological analysis of the political conflicts, betrayals and suffering on all sides of the liberation does indeed mark such a break . However, it is precisely on these terms that Rossellini’s later work comes to be criticised, for abandoning neo-realism’s proper socio-political task for the “involution”, individualism and spiritualism of his later work.
Paisan. Roberto Rossellini’s follow-up to his breakout Rome Open City was the ambitious, enormously moving Paisan, which consists of six episodes set during the liberation of Italy at the end of World War II, and taking place across the country, from Sicily to the northern Po valley. With its documentary-like visuals and intermingled cast of ...
Paisà Paisà. Un grande affresco storico e sociale composto da 6 episodi. Il film, girato con attori prevalentemente non professionisti, rievoca l'avanzata delle truppe alleate dalla Sicilia al Nord Italia. Seconda pellicola della Trilogia della guerra antifascista. Premiato con tre Nastri d'argento nel 1947.
Other articles where Paisà is discussed: Federico Fellini: Early life and influences: …addition, Fellini contributed to Rossellini’s Paisà (1946; Paisan) and Il miracolo (1948; “The Miracle”, an episode of the film L’amore), in which he also acted, playing a tramp who impregnates a simple-minded peasant when she takes him for the reincarnation of St. Joseph.
Paisà (Camarada), El segundo eslabón de la trilogía bélica realizada por Roberto Rossellini. Inicio Películas Series Colecciones Festivales
