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Based on Ingmar Bergman's Smiles of a Summer's Night and Jean Renoir's Rules of the Game, the story revolves around a weekend party at the home of Andrew Hobbs, a Wall Street broker and eccentric inventor, and his wife Adrian. The guests of honor are Ariel and Leopold, Andrew's cousin and a famed academic. Over the course of the weekend, they are joined by a third couple, a lady-killer doctor ...
A Midsummer Night's Sex Comedy (1982) The further north you go in summer, the longer the twilight lingers, until night is but a finger drawn between the dusk and the dawn. Such nights in northern climes are times of revelry, when lads and maids frolic in the underbrush to the pipes of Pan. Woody Allen's "A Midsummer Night's Sex Comedy" sneaks ...
16 de jul. de 1982 · Find trailers, reviews, synopsis, awards and cast information for A Midsummer Night's Sex Comedy (1982) - Woody Allen on AllMovie - Woody Allen brings a diverting whimsy and a…
Based on Ingmar Bergman's Smiles of a Summer's Night and Jean Renoir's Rules of the Game, the story revolves around a weekend party at the home of Andrew Hobbs, a Wall Street broker and eccentric inventor, and his wife Adrian. The guests of honor are Ariel and Leopold, Andrew's cousin and a famed academic. Over the course of the weekend, they are joined by a third couple, a lady-killer doctor ...
Midsummer Night's Sex Comedy, A -- (Movie Clip) Same Ariel Weymouth Andrew (writer-director Woody Allen) panics as Leopold and Ariel (Jose Ferrer, Mia Farrow) arrive, joining Adrian (Mary Steenburgen), Maxwell (Tony Roberts) and Dulcy (Julie Hagerty) in A Midsummer Night's Sex Comedy, 1982.
A Midsummer Night’s Sex Comedy was released in the US on 16th July 1982. At the time, E.T. the Extra-Terrestrial was enjoying it’s 6th week topping the US box office. An official soundtrack was issued by CBS in 1982. It featured the music of Felix Mendelssohn.
A Midsummer Night’s Sex Comedy is so light and energetic and infectious, it’s like a bracing tonic—the cinematic equivalent of a good saison. It moves and feels like no other film. It’s Allen’s most underrated work—and it’s a much needed infusion of summer light during what is, in many ways, the darkest time of the year.
