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Lennie Tristano. Leonard Joseph Tristano ( Chicago, 19 marzo 1919 – New York, 18 novembre 1978) è stato un pianista e compositore statunitense . Negli anni quaranta, mentre la scena newyorkese era dominata dal bebop, Tristano sviluppò parallelamente un suo stile estremamente personale e sofisticato. Una certa critica lo ha superficialmente ...
Lennie Tristano, also known as Tristano, is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks.
13 de mar. de 2014 · Lennie Tristano nace en Illinois, Chicago en 1919 “casi ciego en el seno de una familia originaria del sur de Italia inicia sus estudios de piano con su madre, cantante de opera y pianista. A los diez años entra en una escuela de Chicago donde estudia teoría musical, saxos alto y tenor, clarinete y violoncello, y a la vez, dirige la ...
Leonard Joseph „Lennie“ Tristano (* 19. März 1919 in Chicago, Illinois; † 18. November 1978 in New York) war ein US-amerikanischer Jazzmusiker, Pianist und Multiinstrumentalist, Arrangeur, Komponist und Musikpädagoge. Er wird den Stilrichtungen Bebop, Cool Jazz und Modal Jazz bis zur Vorwegnahme des klassischen Free Jazz der 1960er ...
Lennie Tristano is one of those who have not yet received their critical due. In the mid-’40s, the Chicago-born pianist arrived on the scene with a concept that genuinely expanded the prevailing bop aesthetic. Tristano brought to the music of Charlie Parker and Bud Powell a harmonic language that adapted the practices of contemporary ...
28 de abr. de 2022 · Lennie Tristano. A pianist of exceptional co-ordination and skill, for whom playing in different metres with each hand held no terrors, Lennie Tristano overcame blindness to become one of the leading teachers in jazz. While he was studying for his music degree in Chicago in the early 1940s, he had already begun playing and working with a circle ...
Lennie Tristano was one of the most radical voices in the jazz of the late 1940s and early 1950s. Called “ the mystery man of jazz, a blind pianist with a reputation as a pedagogue who rarely performed in public during the last 20 years of his career, ” by Rolling Stone ’ s Robert Palmer , Tristano was responsible for a number of groundbreaking jazz innovations.
