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  1. Barbara Villiers, born in 1640, was the daughter of William Villiers, Viscount Grandison, a royalist who died in 1643 of wounds received in the Civil War. In 1659 she married Roger Palmer, a lawyer, during an affair with Philip Stanhope, second Earl of Chesterfield, who in January 1660 had to leave England after killing an adversary in a duel

  2. Barbara Villiers was Charles II's principal mistress between 1660 and 1670 and the most powerful woman at court. She devoted much energy to public demonstrations of the king's favour through displays of jewels and wealth. She was painted frequently by Lely, who described her beauty as ‘beyond the compass of art’.

  3. This chapter examines two portraits of Barbara Villiers, Countess of Castlemaine, Duchess of Cleveland (1641–1709), and one of Charles II’s numerous mistresses. Painted between 1660 and 1668 by Sir Peter Lely, the portraits functioned as important sites for self-presentation in early modern England. The chapter analyses the portraits within the context of early modern ‘life writing ...

  4. Barbara Palmer (née Villiers), Duchess of Cleveland. The favourite mistress of Charles II during the 1660s, Barbara Villiers was a dominant presence both at court and in the public's imagination. She married Roger Palmer, later the Earl of Castlemaine, in 1659, and met Charles soon after. She was appointed Lady of the Bedchamber to the Queen ...

  5. Barbara Howard, Countess of Suffolk ( née Villiers; May/June 1622 – 13 December 1680), [1] formerly Lady Wentworth, was an English courtier and the wife of James Howard, 3rd Earl of Suffolk.

  6. Barbara Berkeley, Viscountess Fitzhardinge ( née Villiers; c. 1654 – 19 September 1708) was a lady-in-waiting to Queen Anne of Great Britain and governess to Prince William, Duke of Gloucester. [2] Her sister Elizabeth Villiers (later Countess of Orkney) was the acknowledged mistress of William III of England from 1680 to 1695.

  7. Barbara Palmer, Lady Castlemaine in the Diary, and later the Duchess of Cleveland, as depicted by artist Peter Lely here and here was one of the many mistresses of King Charles II. Pepys was enthralled by her beauty but, like others of the times, feared her impact on King Charles II to be far too great for the good of England. Several wonderful websites offer excellent short biographies or ...