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17 de may. de 2018 · Federico Gonzaga, who became the ruler of Mantua and Montferrat, was born on this day in 1500 in Mantua. He spent his childhood living as a political hostage, first at the court of Pope Julius II in Rome and then at the court of Francis I of France. It wasn’t perhaps an ideal start in life, but historians believe the political, social and ...
Federico II Gonzaga (Mantova, 17 maggio 1500 – Marmirolo, 28 giugno 1540) dal 1519 divenne il quinto marchese di Mantova e per matrimonio nel 1536 divenne il ventiseiesimo marchese del Monferrato; dal 1530 venne elevato dall’Imperatore Carlo V al titolo di primo duca di Mantova. Era figlio del marchese di Mantova Francesco II e di Isabella ...
On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii finito (because he has started a portrait of me which I greatly desire to be finished).
14 de oct. de 2023 · Email: tomgurney1@gmail.com / Phone: +44 7429 011000. Titian's masterful Portrait of Federico II Gonzaga is a prime example of the painter's art. Painted in 1529 when the artist was at the height of his powers, it is one of a number of remarkable portraits that the master of the Venetian School of painting produced throughout his career.
Federico II Gonzaga viste jubón de terciopelo azul, con bordados dorados, y de su cuello cuelga un rosario de oro y lapislázuli. Mientras su mano izquierda reposa en una espada, con la derecha acaricia un perrito. Tanto la inclusión del pequeño animal (más acorde con los retratos femeninos, reservando para las iconografías masculinas a ...
Portrait of Federico II Gonzaga. Portrait of Federico II Gonzaga ( c. 1529) is a painting by Titian, who signed it Ticianus f.. Today in the Museo del Prado, Madrid, it portrays Federico II, Duke of Mantua who married in 1529; the portrait may have been commissioned for the occasion. The dog, a Maltese, is a symbol of faithfulness.
Federico’s detainment would allow for the release of his father, Francesco II Gonzaga (1466–1519), who was in Venetian custody for his part in the War of the League of Cambrai. En route to surrender himself, the young Gonzaga stopped in Bologna where he met with his already liberated father, and sat for Francia, who made sketches of him for this portrait.[1]
