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Marianne von Werefkin (Tula, 10 settembre 1860 – Ascona, 6 febbraio 1938) è stata una pittrice espressionista russo-tedesca. Figlia del Comandante del Reggimento di Ekaterinburg , nel 1880 va a studiare presso la bottega del pittore Ilya Repin , uno dei principali pittori realisti della Russia del tempo.
Marianne von Werefkin passed away on February 6, 1938, leaving behind a body of work that defied artistic norms and bore witness to the transformative power of the human spirit. Her legacy, once overshadowed by the prominence of male counterparts, has experienced a renaissance in recent decades, with renewed scholarly interest in her contributions to the Expressionist movement.
Marianne von Werefkin. Marianne von Werefkin ( russisch Марианна Владимировна Верёвкина / Marianna Wladimirowna Werjowkina, wiss. Transliteration Marianna Vladimirovna Verëvkina; * 29. August jul. / 10. September 1860 greg. [1] in Tula, Russisches Kaiserreich; † 6.
Marianne von Werefkin was a Russian artist whose shimmering tempera paintings contributed to the discourse of the Blauer Reiter group. View Marianne von Werefkin’s 228 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.
Marianne (Marianna) Werefkin was born on August 29 (September 9 according to the Gregorian calendar) 1860 in Tula, where her grandfather, Pyotr Daragan, the offspring of an old Cossack clan, was governor at that time (from 1850 to 1865). Marianne's grandmother, Anna Daragan (nee Balugyianskaya, 1806-1877) was a renowned author of children's ...
Marianne von Werefkin was born in the Russian town of Tula as the daughter of the commander of the Ekaterinaburg Regiment. She had her first private academic drawing lessons at the age of fourteen. In 1880, she became a student of Ilya Repin, the most important painter of Russian Realism. Her progress was dealt a setback by a hunting accident ...
Marianne von Werefkin. Werefkin’s view that colour has an intrinsic power is something she implemented in numerous paintings, notably in her provocative 1910 “Self-Portrait I”. This bold portrait with the glowing red eyes and swirling brushstrokes captures the artist’s revolutionary temperament. A painter and art theorist who was way ...
